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Plafond 4

by Ulla Straus / Oceanic

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DEER
DEER thumbnail
DEER ambient orchestral drone? i dont know, but whatever it is, i love it. Favorite track: I Forgot to Take a Picture.
Puscha
Puscha thumbnail
Puscha Some really lovely and interesting ambient music. I am in love with "I Forgot to Take a Picture", it's perfect. I feel very good when I hear it. Favorite track: I Forgot to Take a Picture.
Michael Upton (Jet Jaguar)
Michael Upton (Jet Jaguar) thumbnail
Michael Upton (Jet Jaguar) The two Straus tracks are amazing manipulations of woodwind and strings, really unlike her other releases, but just as good; Oceanic's track is as immersive as you'd hope with that name! Favorite track: Becoming Warm.
Vincent Giard
Vincent Giard thumbnail
Vincent Giard That sweater made of weaved dew looks good on you. Favorite track: I Forgot to Take a Picture.
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    BAKKPlafond4 — Heavy weight vinyl. Black and blue silkscreen on pinky Pantone sleeve and silver printed on black Obi strip. Comes in resealable anti-static foil sleeve for extra protection.

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    Includes unlimited streaming of Plafond 4 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Plafond 4 — Ulla Straus / Oceanic [LP]

Vinyl: clone.nl/item57897.html

A1 Ulla Straus — I Forgot to Take a Picture ( 12:03 )
A2 Ulla Straus — Becoming Warm ( 6:24 )
B Oceanic — Three Sides Of A Shell ( 19:21 )
↳ 1. Aperture
↳ 2. Columella
↳ 3. Sea If You Can Hear

The fourth Plafond sees fine-crafted contrasting pieces complement each other in courtesy of Ulla Straus and Oceanic. Along the wide arbitrary landscape of listening or 'ambient' music, it is a delight to have two artists, separated by the vast Atlantic, contributing quite opposite interpretations of such to the series. Perceptual time feels as a recurrent theme which binds them, albeit in a whole different modus operandi.

In her iconic tactile productions, Straus excavates levels of advanced musical complexity in the seemingly most simple. Throughout two tracks her crude and beautiful technique riffles, compositions that remain prone to the transient, combining field recordings with morphing saxophone and guitar. This is deeply evocative music that turns its recipient into a mode of contemplation. ‘I Forgot to Take a Picture’ breathes melancholic romanticism, ‘Becoming Warm’ feels lorn yet hopeful. Pastoral haze over a rouge-tainted barren, the crackling insides of a wooden forest house. Picturesque and minimalist, Pennsylvania’s Straus manages to temporarily stop the sand from gravitating downwards.

Oceanic antagonises Straus with the triptych ‘Three Sides of a Shell’, recalling different emotions adhering to the fourth dimension. As a performing artist, Oceanic masters the element of suspense. Here, over the course of nineteen minutes, a three-note sequence is explored within the producers imaginatory, chapterised, providing moments to navigate through his fictitious galaxy. Stuttering melodies across azure waters, synthesised bleeps as flickering stars over a moonlit mountain pass. Oceanic’s music feels advanced through actively incorporating contemporary futurism, whilst never losing the glacial glance that is so familiar to its early nineties foregoers. It is as if listening to ‘Three Sides...’ heightens the senses, towards possibility, innovation even, triggering illusions of time dilation, shattering the hourglass.

Comes in hand printed dreamy, pink sleeve, including Obi-strip, by the BAKK Innerspace Ink Station.

credits

released October 29, 2019

Music: Ulla Straus / Oceanic
Design: Mike Kokken and Heer Badoux
Words: Luke Cohlen

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BAKK The Hague, Netherlands

Music label from around The Hague, run by Nic, Thomas and Ruben.

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